The bare stages of Shakespeare’s day had little or no scenery except for objects required by the plot, like a throne, a grave, or a bed. Costumes, a major investment for an acting company, provided the essential “spectacle” of the plays and were often second-hand clothes once owned and worn by real-life nobles. Instead, they typically wore gorgeous modern dress, especially for the leading parts. In addition to their dramatic talents, actors in Shakespeare’s time had to fence onstage with great skill, sing songs or play instruments included in the plays, and perform the vigorously athletic dances of their day.Īctors usually did not aim for historically accurate costumes, although an occasional toga may have appeared for a Roman play. While most women’s roles were played by boys or young men in the all-male casts, comic female parts such as Juliet’s Nurse might be reserved for a popular adult comic actor, or clown. A new, second Globe was quickly built on the same site, opening in 1614. In 1613, it burned to the ground when the roof caught fire during a performance of Shakespeare’s Henry VIII. The Globe, which opened in 1599, became the playhouse where audiences first saw some of Shakespeare’s best-known plays. To pay for it, they shared the lease with the five partners (called actor-sharers) in the Lord Chamberlain’s company, including Shakespeare. A few years later, the Burbages lost their lease on the Theatre site and began construction of a new, larger playhouse, the Globe, just south of the Thames. Shakespeare’s company, the Lord Chamberlain’s Men, was one of several to perform at the Theatre, appearing there by about 1594. Spectators could pay for seating at multiple price levels those with the cheapest tickets simply stood for the length of the plays. Like the many other playhouses that followed, it was a multi-sided structure with a central, uncovered “yard” surrounded by three tiers of covered seating and a bare, raised stage at one end of the yard. The Theatre was among the first playhouses in England since Roman times. You’ll find a list of more than 80 products, along with their reviews, ratings, and more.In 1576, when Shakespeare was still a 12-year-old in Stratford-upon-Avon, James Burbage built the Theatre just outside London. If you’re an architect looking to purchase design software, we recommend checking out Capterra’s architecture software directory. During the planning stage it is critical to seek the assistance of a local licensed architect and, depending on the size and complexity of the room, consultation with a theater consultant may be appropriate. In almost every case the seating-as well as the materials used in an assembly space-must comply with certain fire codes.įinally, sightline studies should be conducted and these studies along with compliance of egress codes will, to a great extent, determine the seating layout. This will allow for a general idea of the size of the room.Ĭonsult local egress codes to determine the required number/locations of exits, aisle locations and clear width, and back-to-back row spacing.ĭetermine what fire codes are in effect. If you have no experience designing an auditorium space and you’re asking, “What are the basic next steps to take?” then we’ll leave you with a quote from Mario Pimenta, who is competent in architecture and well versed in auditorium layouts:įigure out the desired capacity of the room-how many seats are required?Īssign a generic space requirement for each seat-this varies-but ten square feet per chair would probably be adequate for most layouts.
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